More
than four decades into his eagle-eyed scrutiny of power and wealth in Britain,
Anthony Sampson can still swoop on his prey at a speed that puts other
journalistic sleuths to shame. At the end of our interview in a Mayfair hotel, a
ludicrously elongated white stretch limo with smoked-glass windows draws up
outside. Instantly, Sampson jumps up to see who is getting out of it.
This time, for once, the quarry eludes him. It may well have been one of the
“populist tycoons” in leisure, services and showbiz who take centre stage in
his latest, sharpest and most radical “anatomy of Britain”, Who Runs This
Place?* This fresh elite of super-rich anti-elitists emerges as the driving
force of a country that shook off its old deference to rank only to bow and
scrape before the masters of the marketplace, “a new Establishment, with
greater resources and stronger bonds than the old one - the bonds of money”.
Ever since the first Anatomy* in 1962, he has sought with steely
detachment to strip away the screens that surround British power, whether
erected (as then) by titled bankers in some Lombard Street boardroom or (as now)
by self-made TV moguls in a Covent Garden restaurant.
On the political front, his latest quest coincided with an extraordinary - but
taxing - opportunity to see the new lie of the land. Late in the composition of Who
Runs This Place?,* the evidence submitted to the Hutton inquiry1
(see
cartoon below!)
lit
up the concealed pathways of power in Westminster and
Whitehall “like a flare
in the night sky”: Showing all the pace and nous2
that writers half-a-century younger often lack, he quickly threaded the Hutton
revelations through the book to devastating effect. They confirm his diagnosis
that “decisions are actually taken by small groups of people, most of them
unelected and unaccountable”.
Sampson
explains that, although “one knew about the concentration of power in Number
10”, the Hutton disclosures acted “rather like the Watergate tapes. You had
this glimpse of the intensity, and almost the vulgarity, of power”.
His own trade comes in for quite a drubbing. The new ability among editors and
pundits to make and break (mostly break) careers elicits “fear and dislike”
in every other corridor of power. And with their new destructive” potential
goes a very meagre appetite for self-control or self-criticism. As Sampson says: “If you subjected journalists to the same kind of mocking analysis that’s
applied to politicians, there’d be nothing left. The whole profession would go
under.”
1
Reference
to the Report of the Inquiry into the Circumstances Surrounding the Death of
Dr David Kelly C.M.G. (published 28 January 2004)
2
(infml) = „Grips“, „Verstand“

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